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Mandy Merzaban
   ︎︎︎ about & contact 
    ︎services
 

︎  fundraiser
+ Palestine solidarity posters

︎  art projects
+ Fake Love & Institutional Longing (BTS)
    > Fake Love (audio episodes)
    > Institutional Longing: 1001 Nights
    > (깊은 가면) DEEP FAKE LOVE &
    피, 땀, 이론 (BLOOD SWEAT THEORY)
+ institutional poetics: a lexicon of counter-productivity
    > lecture performance
+ An Unknown Lover’s Discourse

    > waveform, drained words, floating ink
+ Law of the Sea
+ botanical research & illustration

︎ video & moving image
+ littoral intimacies I
+ littoral intimacies II
+ “inaccessible intimacy”

+ Delfina Foundation 

︎poetry
+ a heart gills
+ menu of poetic starters
 
︎ writing
+ Do Ho Suh’s Intimate Architectures of Transition
+ Shiraz Bayjoo on the Afterlives of Print
+ After the Flood: Letter from Athens
+ Programming the Sacred: The Contradictions of Ancestral Knowledges in the Museum
+ ‘Do Let Us, Destroy the Pyramid’
+ Opening Weekend of Richard Bell’s Embassy at Tate 
+ Walid Raad aka Suha Traboulsi: On feminist methodologies and the discourse of Modern Arab Art
+ Etel Adnan’s three questions for Paul Guiragossian

+ An ode to performing subjectivity
+ The Ribbon (excerpt)

︎workshops
(BTS) FAKE LOVE poetry
bad comms poetry
cyanotype

︎curating (selected) 
+ A Century in Flux I  
+ Beloved Bodies 
+ Re: Orient Investigating modernism in the Arab world 1950s - 1970s
+ Terms & Conditions (Singapore Art Museum)



Mark
LITTORAL INTIMACIES I


A series of split screen video clips play out as encounters between parallel worlds. The paired scenes of natural and urban spaces appear as brief, quiet vignettes that intimate subtle tensions that arise from their associations. Among these dual scenes include fog lifting from a low peak of the Greater Caucasus mountains as waves from the Caspian sea endlessly retreat in a reverse primordial movement. In other scenes luminous, insoluble, oil bubbles rise spontaneously from calm waters; clouds occlude the sun in a re-formulation of the four elements (water/air | oil/sun); a waning river changes direction against the movement of a 1930 Bibi Heybat oil donkey; and an inverted suspended river drains from a regrowing greenhouse, while another scene shows passersby taking selfies along the Caspian above the Soviet oil rigs of Shikov beach.
• • •


Littoral Intimacies I, 2019. Video. 25:11. Commissioned by Yarat Contemporary Art Space, Baku, Azerbaijan.

︎ Full video 
Mark