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Mandy Merzaban
   ︎︎︎ about & contact 
    ︎services
 

︎  fundraiser
+ Palestine solidarity posters

︎  art projects
+ Fake Love & Institutional Longing (BTS)
    > Fake Love (audio episodes)
    > Institutional Longing: 1001 Nights
    > (깊은 가면) DEEP FAKE LOVE &
    피, 땀, 이론 (BLOOD SWEAT THEORY)
+ institutional poetics: a lexicon of counter-productivity
    > lecture performance
+ An Unknown Lover’s Discourse

    > waveform, drained words, floating ink
+ Law of the Sea
+ botanical research & illustration

︎ video & moving image
+ littoral intimacies I
+ littoral intimacies II
+ “inaccessible intimacy”

+ Delfina Foundation 

︎poetry
+ a heart gills
+ menu of poetic starters
 
︎ writing
+ Do Ho Suh’s Intimate Architectures of Transition
+ Shiraz Bayjoo on the Afterlives of Print
+ After the Flood: Letter from Athens
+ Programming the Sacred: The Contradictions of Ancestral Knowledges in the Museum
+ ‘Do Let Us, Destroy the Pyramid’
+ Opening Weekend of Richard Bell’s Embassy at Tate 
+ Walid Raad aka Suha Traboulsi: On feminist methodologies and the discourse of Modern Arab Art
+ Etel Adnan’s three questions for Paul Guiragossian

+ An ode to performing subjectivity
+ The Ribbon (excerpt)

︎workshops
(BTS) FAKE LOVE poetry
bad comms poetry
cyanotype

︎curating (selected) 
+ A Century in Flux I  
+ Beloved Bodies 
+ Re: Orient Investigating modernism in the Arab world 1950s - 1970s
+ Terms & Conditions (Singapore Art Museum)



Mark
/ INSTITUTIONAL POETICS:
A Lexicon of Counter-Productivity


A multi-modal site responsive research project investigating institutional life through the body.

Developed during a Brooks International Fellowship at Tate Britain, this ongoing practice moves between conversation, photography, and poetry to attend to what typically fades from view in the foreground of museum display and work.

Building trust with staff, personal encounters and accounts were anonymised and abstracted into poetry validating experience while reframing artistic practice as a gesture of care. Invisible labour as contiguous to art.

The research culminated in textual interventions and a lecture-performance featuring poetry drawn from staff accounts, alongside a key technique: processing Tate's legal contracts through a word-frequency calculator to articulate tensions between bureaucratic language and human experience.

+lecture performance